The death of my eldest daughter, an exceptionally talented child, motivated me to compose a chamber work in 1855, my Trio in G minor. This was performed the same year, in December, in Prague. The audience was unresponsive and the critics hated it.The work was revised and played about a year later with Liszt in attendance. He was so impressed with the work that he helped to get it performed in other countries of Europe.
The trio is in 3 movements:
I. Moderato assai - The trio was a way for the emotionally devastated Smetana to deal with his grief, and the first movement begins with an anguished cry from the violin played on the G string of the instrument:
II. Allegro, ma non agitato - A scherzo in G minor that has two trios, or as Smetana called them alternativo. The scherzo skitters along until the first alternativo, which is a more mellow tune played by the violin and cello with a simple piano accompaniment. The scherzo plays through again until the second alternivo, a somewhat ponderous march that alternates heaviness with lightness. The scherzo makes one last appearance before the movement quietly.
III. Finale: Presto - The frantic opening theme that pits two notes versus three in the accompaniment. The second theme of the first movement makes another appearance among the alternating sections separated between the frantic opening. The first theme gets wilder until the music grows more introspective. The introspection turns to total sorrow as the music morphs into a short funeral march in G minor, complete with the tolling bell of death in the bass of the piano: